Artist: Andrew Gomez IV
Hispanic Heritage Night pres. by Modelo
Thursday, October 22 | 6:40 pm
Score a tumbler designed by artist Andrew Gomez IV with the purchase of this special ticket offer.

Hispanic Heritage Night pres. by Modelo
Thursday, October 22 | 6:40 pm
Score a tumbler designed by artist Andrew Gomez IV with the purchase of this special ticket offer.
I wanted to exact a translation of the brand through my dialect. A culmination of being a Chicano from the West Coast and a member of a subculture of punk rock and hardcore. Vibrant colors, intricate linework, chrome curves to resemble an old car ornament, and the duality of life and death, a prevalent throughline in Latino culture and art. Projecting a sense of urgency to do what's most passionate to you within the finite amount of time we have here.
Both the Anchor and "S" pieces are meant to "family" together, rather than be totally separate pieces.
The pattern is based on the classic Paisley design, which is global for bandanas; it comes in the essential fit for all young vatos and veteranas when cultivating their sense of self. You crease your pants, keep your shoes clean, button your top on the flannel, and you put a bandana in your back pocket. I don't make the rules. I just follow them. So I wanted Kraken to have that feel on that front.
I saw a lot of Latino culture properly represented on past Hispanic Heritage nights for the organization, but not really showing the perspective of the Chicano diaspora. I believe I brought that into the fold.
Indigenous Peoples Night pres. by Muckleshoot Indian Tribe
Thursday, December 10 | 6:00 pm
Score a tumbler designed by artist Joe Seymour with the purchase of this special ticket offer.
I was inspired by old school tattoo imagery for this year's design. The old style anchor is very iconic with tattoo design and adding the scroll on the bottom adds to the overall tattoo motif. The name on the scroll is from a longhouse that used to sit on the shore directly south of Climate Pledge Arena.
AANHPI Night pres. by Alaska Airlines
Tuesday, January 12 | 6:40 p.m.
Score a tumbler designed by artist Hoa Hong with the purchase of this special ticket offer.
Woven Tides reflects the quiet strength that connects a community, drawing inspiration from symbols of resilience, harmony, and heritage. Elements such as interwoven knotwork, paired koi fish, blooming lotus, and jade honor AANHPI heritage and the many individual stories and cultural experiences that come together as something larger, echoing the spirit of Common Thread and the strength found in connection.
Pride Night pres. by Symetra
Wednesday, February 3 | 6:40 p.m.
Score a tumbler designed by artist Teresa Grasseschi with the purchase of this special ticket offer.
Nature is queer. The natural world regularly disrupts normative expectations and binaries to highlight the fluidity and magic in life. This work stands as a celebration of that and a reminder to all queer people that they are never alone, that the earth around them is incredibly queer, fluid and fabulous.
Black Hockey History Night pres. by Virginia Mason Franciscan Health
Monday, February 22 | 6:40 p.m.
Score a tumbler designed by artist Jessie Lipscomb with the purchase of this special ticket offer.
I wanted these designs to feel welcoming & full of personality. To me, the strongest communities are built around people, so I chose to make a joyful person the heart of each design. The anchor represents strength & stability, but the focus is really on the feeling of belonging & celebrating people who call this community home. I used my bold illustrative style & layered colors to create artwork that feels modern but full of movement. I hope that my designs help people see themselves in the organization & feel like they're part of something that is both grounded & full of fun.
Women in Hockey Night pres. by Pitchbook
Thursday, March 11 | 6:40 p.m.
Score a tumbler designed by artist Yumi Reid with the purchase of this special ticket offer.
Inspired by my experience growing up in Japan, this work explores how belonging is shaped through community. Centered around the Sakura tree, a symbol of renewal and collective memory, each flower represents a different woman and her unique story. Created for Women in Hockey Night, the piece celebrates the connections and support that help women grow together.
The flowers, inspired by the Sakura, camellias, quince, and magnolia blooms around my studio, reflect individual beauty and resilience.
Green Night pres. by Boeing
Tuesday, March 30 | 6:40 p.m.
Score a tumbler designed by artist Charles Spitzack with the purchase of this special ticket offer.
The design draws on the natural ecology of our region for inspiration. Mountains, ivy, and tree lines are all things we are lucky enough to interact with on a daily basis as Seattleites. These elements were translated into woodcut prints, a process that artists on the West Coast have used for more than a century to capture the beauty of our natural surroundings.
Hispanic Heritage Night pres. by Modelo
I decided to enclose the image inside of a dark green circle to bring out the vibrancy of the red and pink colors. The simplified color palette was created to ensure a clear depiction of the design due to its elaborate detail. The arched doorway is decorated with Talavera tiles, which is a type of traditional item in Mexican pottery and ceramics. These tiles are often used to decorate kitchens, bathrooms, and outdoor pathways. I’m very drawn to the symmetry in their designs, so I replicated that effect with the surrounding greenery. The “S” in the primary logo is outlined in red with a pink background and a strategically placed green leaf to act as the eye of the Kraken.
Indigenous Peoples Night pres. by Muckleshoot Indian Tribe
Yup'ik people live in relation to the water systems in Southwest Alaska and all the animals that depend on them. Migratory birds are an important part of our seasonal food system and their feathers and bones are used in tool making, dance regalia, and spiritual masks. Fish are and have been integral to our lives and survival since time immemorial. Today, it is more important than ever that indigenous people are supported in stewarding the animals that have sustained us by caring for the lands and waters that we are born from to maintain healthy ecosystems. These designs are inspired by Yakuluq - birds and Sayaq - fish depicted in Yup'ik graphic art that was used to mark bent wood items and tools with soot or ochre. These designs are examples of the immense and intimate ecological knowledge of Yup'ik people and serve as reminders of the collective responsibility shared by all of us to respect all things - the basis for Yup'ik values.
Pride Night pres. by Symetra
Each piece of artwork is connected through the overarching theme of pride and meant to evoke the magic of queer and trans joy. The black background in the artwork is meant to signify the darkness, hardship, and struggle so many of us face on our journey to find and accepting our own unique identity; we are the bright colors bursting through the darkness unafraid to be unapologetically ourselves. You will find rainbows, pride flags, and queer symbolism throughout each piece, some loud and proud, and others more subtle. Together we are strong ,and united we are proud. We stand for love.
AANHPI Night pres. by Alaska Airlines
If you’ve gotten a tattoo in the last 40 years, gone to a beach, watched a sports game or a concert, chances are you’ve seen some form of these designs out in the wild called ‘modern tribal.’ What many people don’t know is that these designs were pioneered by a Filipino-American punk rock kid in the 1980s named Leo Zulueta. What started as raw expression and artistic exploration soon took the world by storm as the art became insanely popular, covering brand logos, celebrities, and everything in between in the 1990s and early 2000s. Loosely inspired by other types of tribal tattooing, this modern tribal style was embraced by people across different cultural boundaries, and laid a foundation for new styles of tattoo art like blackwork, sacred geometry and cyber sigilism, while also bringing awareness to many types of traditional indigenous tattooing.
What inspires me most about this work, and why I think it’s a great fit for AANHPI Heritage Nights, is that it represents an unrecognized legacy of Asian American art and contributions to our society and culture. It exemplifies a uniquely hyphenated American experience of bridging two cultures and creating something new that is now embraced around the world and carried on by people of all different cultural backgrounds. It’s a blend of past and present, tradition and innovation, and I think whether you love it or hate it, it’s truly timeless.
Black Hockey History Night pres. by Amazon
This artwork envisions a futuristic hockey league, celebrating the evolution and impact of black athletes in the sport. Set in the future, my art pays homage to trailblazers like Willie O’Ree, who shattered the NHL’s color barrier in 1958, and the many other Black players whose perseverance and talent helped shape the league.
Abstract shapes weave throughout the composition, each representing the diverse individuals who changed the face of hockey. These forms symbolize unity, progress, and the growing diversity within the sport, echoing the influence of Black Athletes who have inspired a new generation to take the ice.
With a blend of bold motion, energy, and futuristic elements, this piece not only honors the past but also envisions a future where the game continues to evolve, opening doors for new talent and greater inclusivity.
Women In Hockey Night pres. by PitchBook
I knew I wanted to incorporate roots somewhere because just like roots hold everything together, especially so much of our landscape in Washington so do women in the home & their communities, especially in immigrant & multi-generational households. It's a big job that is critical that often goes unnoticed, unseen or just dismissed-I myself as an angsty tween didn't understand why my mom "didn't want to work" and only in my late 20s I am starting to comprehend how much women do to hold everything & everyone together.
My worry is having a straight-up illustrated tree-I don't know what we have for green night, but I don't want there to be two nights with trees or too much greenery. I am sure I will work that out. At first, I wanted to stray away from pink-but now I think I should add as many pink elements as I want. Pink is awesome, and if you're a straight-up girly girl who loves pink, there is power in embracing that, and if you're a guy who likes pink, even better :)
Green Night pres. Boeing
The design draws on the natural ecology of our region for inspiration. Mountains, ivy, and tree lines are all things we are lucky enough to interact with on a daily basis as Seattleites. These elements were translated into woodcut prints, a process that artists on the West Coast have used for more than a century to capture the beauty of our natural surroundings.
The Seattle Convention Center hosted the 2025-26 Kraken Common Thread jersey gallery. On hand were artists and fans to celebrate the new designs that would be showcased during select nights of the season.
Artist: Victor Melendez
This illustration is a representation of the spirit of our people, our cultures, traditions, handicrafts, etc. The main inspiration is Quetzalcóatl ("Feathered Serpent" in Nahuatl), the God of life, light and wisdom, also related to arts, crafts, knowledge, and learning. Quatzalcóatl was revered in different forms in different cultures throughout Mesoamerica. The pattern and colors in the art are inspired by ancient patterns found in architecture, textiles and art from all over Latin America.
Artist: Keith Stevenson
The design within the letters and numbers is a textile design from the Coast Salish territory that dates back thousands of years and represents a spear and the mountains. It's representative of the Muckleshoot Indian Tribes' Great Seal on the flag of our nation. We are the original peoples of the greater Seattle region, and our dwelling spanned from the Cascades to the Salish Sea. The redesigned logos were created using traditional Salish forms - Crescents, Trigons, and Ellipses. We use these shapes to create images that give a sense of balance and flow, positive and negative, to whatever they are being applied to, in this case, the Seattle Kraken. The design itself represents the mysterious and supernatural forces that surround us at all times, like the mystery of the Kraken underneath the water. The Thunderbird in the sky, who is another mythological being revered not just by Salish people but all up and down the Northwest coast and beyond.
Artist: Kelly Bjork
The disco ball symbolizes a particular moment in the journey of the LGBTQ+ community to liberation; a time when queer people could more openly self-express and see their true selves reflected back to them in spaces that felt inclusive and celebratory. For the logo, I utilized colors and patterns previously crafted for a 2022 painting in which a giant, glorious, gay dance party is depicted unfolding.
Whilst putting the iconic Kraken anchor in conversation with the fun and audacious spirit of disco, the image of the Village People immediately came to mind. I pictured lovely little gay sailors dancing under the disco ball, amongst an anchor. After additional workshopping with Kraken associates, I zeroed in on the grasped hands of the sailors to highlight the necessity and beauty of community support across identities within it.
As I previously mentioned, some of the colors/patterns seen in the numbers and letters were originally crafted for a commissioned 2022 Pride painting. A new context allowed me to dream bigger, so I stepped outside of the rainbow and into the wild!
Artist: Shayla Hufana
The Lunar New Year jersey designs I've created draw inspiration from the upcoming 2025 Year of the Fire Snake in a wood year, as well as my Seattle roots and Filipino heritage, emphasizing the essence of family, friendship and teamwork. They feature a striking, good fortune palette of red/orange resembling the PNW garter snake, complemented by browns/tans to represent bamboo sticks, skin and earth tones. This specific snake is known for its adaptability across diverse habitats on land and in water, symbolizing fluidity, echoed by the ice blue wave under its tail, which parallels the Kraken team's own agility.
Triangle patterns hold deep significance as signs of familial bonds in Filipino culture and traditional tattooing, including the protective "eyes of our ancestors" found in scales, which guide and safeguard us. The inclusion of brown bamboo sticks framing the snake symbolizes Tinikling, a beloved Filipino folk dance, and Arnis (eskrima), the national martial art of the Philippines. These motifs hold essential qualities such as love, strength and protection, reflecting my upbringing and resonating with the core values of the Kraken team, which prioritize teamwork, discipline, sportsmanship, and hard work.
The secondary anchor logo design is graced with two snakes encircling the Space Needle, creating an auspicious figure eight. They represent the positive characteristics of a snake and are recognized as one of the luckiest numbers in many Asian cultures.
Artist: Rae Akino
The design is a fusion of the traditional and the future. Traditional African tribal patterns with bold repetitive geometric shapes combined with Afro futuristic patterns, incorporating mechanical style lines almost resembling a circuit board. The color purple represents nobility, ambition, creativity, spirituality, and mystery. Orange represents optimism, happiness, and warmth. Brilliant Blue represents energy, innovation, and action. The purpose of the fusion is to honor the traditions and heritage by using them as a foundation to create the future. History is less than perfect but the lessons learned can and should be the tools used to create progress.
Artist: Marisol Ortega
I come from a long line of makers, not in the traditional sense but more out of necessity. My late grandmother, Ines, has been an inspiration in my upbringing and work. She was one of the many strong women I have known in my life. Some would say she was rough around the edges and a hard woman, but I saw the fragile side of her. The way she tended to her vegetable garden and flowers with such care. It's really helped me break this notion of "women are strong" and can't be seen as fragile. Especially when it comes to sports. And that's not always true, a strong woman can also embrace the emotional and fragility. We embody multitudes, and I think it's with this understanding that comes growth and strength. My hope with this artwork is to empower women, much like the pottery I often saw at my grandma's house, to be sturdy clay pots that hold whole root systems and beautiful flowers.
Artist: Kel Lauren
Focusing on threatened & endangered birds of the PNW without including our vital, well-known plants is like a moon without stars. Plus, a Coho salmon, to commemorate their environmental & cultural significance as their numbers in the Columbia River rapidly diminish. Our intrinsic connection to biodiversity is profound; we cannot have one without the other. Each living thing has a dependency on one another that cannot be compromised without devastating consequences. Our birds cannot live without our fish, our trees cannot live without our wildlife, and our fish cannot live without our plants. We are all connected. At least 72% of the Pacific Northwest’s old-growth forests have been lost since the arrival of European settlers. Old-growth forests play vital roles in wildlife habitat, species diversity, hydrological regimes, nutrient cycles, carbon storage, and numerous other ecological processes. This loss is due to logging, settler industrialization, and climate change. The logging industry is how Portland, Oregon, coined its moniker “stumptown”. Old-growth forests are culturally, spiritually, and ecologically important to the Indigenous Peoples of the Pacific Northwest. The desolation of old-growth trees over 500 years old for profit is paradoxical to the Earth’s survival. This land demands its “return back” to its original caretakers.
Artist: Bethany Fackrell
The primary logo references the Dog Salmon as the "S" with the moon behind it. In the story, the Dog Salmon stole the creator when he was a child, and after many years, the child was discovered by the Blue Jay. The feathers around the "S" and the moon represent the Blue Jay's search for the child. She likes to believe that children who were stolen and brought to boarding schools had a greater purpose, like the child from the creation story. Before the child was stolen and brought to Earth, he lived in the sky world. The child and his family would climb a cedar rope from the sky to Earth. The red cedar rope is wrapped around the anchor, weaving patterns on each side. The weaving patterns are three cedar hats and a ladder. The lettering represents the sky world, while the swirls represent the mist at Snoqualmie Falls and the Snoqualmie People.
Artist: Juliana Kang-Robinson
Juliana drew inspiration from the dragons in Korean art from the Joseon Dynasty (1392 - 1910). She loved that the dragons in Eastern culture -particularly in Korea and China-were viewed as auspicious and benevolent bringers of rain and clouds, inferring prosperity, power, and protection. The overall lettering aesthetic and pattern is inspired by a traditional Korean color motif called the Obaengsak consisting of black, white, yellow, red, and blue used in Buddhist temples as a way of warding off evil and inviting prosperity. The anchor has been transformed using the same color motif to mirror the primary logo.
Artist: Barry Johnson
Barry was inspired by the Colored Hockey League and its core founding tenets - providing space for Black men to share space, worship, and build together - leading to the fight for identity and inclusion in hockey over the years. Barry adapted to "S" logo to include the Pan African Flag colors. The secondary logo connects the anchor with a peace sign to represent love, equality for all, and non-violence in the face of inequity and civil rights issues. The symbols and colors all tie together to tell a story about fighting oppression and racism. This calls back to the AfroCanadians who built the foundation for the CHL back in 1895 and reminds people today to continue to fight for the rights of future generations.
Artist: Allie Spurlock
Allie grew up in Washington State and moved to Alaska to commercially fish. Art has been a lifelong work in progress for her, and she’s always taken advantage of every opportunity to get better and learn new skills. Allie loves making art that reflects the life in the fishing town she lives in and the wildlife nearby. She loves to create big one-of-a-kind pieces out of items that reflect the lifestyle on her Alaskan Island. She is inspired by creating art out of things that have outlived their original purpose. As a person who works in commercial fishing, Allie’s primary logo design draws inspiration from what she was surrounded by on a daily basis. She’s inspired by the beauty, detail, mystery, and toughness of sea creatures.
Artist: Nikita Ares
Nikita describes her work as full of movement, energy, and consciousness. The primary and secondary logos are both inspired by the vibrant colors and inclusivity of the LGBTQ+ community. The S logo embraces a vibrant color palette, including shades of the rainbow to symbolize diversity and pride. The secondary anchor has been transformed into a heart and rainbow to emphasize unity and support within the hockey community.
Artist: Sarah Robbins
The goal of her design was to reflect the themes of teamwork, community, sustainability, and growth. Her art incorporates organic elements of diverse shapes, colors, and textures working together as one while keeping the identity of the "S" intact. The background grid texture ties in a manmade element, representing people and our shared environment of Seattle. The color palette is an extension of the main blues of the Kraken logo, introducing complementary greens, deep reds, and oranges. The subtle tentacle in the original logo is exaggerated into a long, reaching vine in the Kraken's deep sea blue colors. The bright red flower mimics the Kraken eye and provides a moment of fierce brightness. The anchor has been transformed into vines to mirror the primary logo.
Artist: Paige Pettibon
Paige Pettibon is an artist based in Tacoma, WA. Her medium focus is acrylic painting, but she has extended to fiber art, beadwork, digital design, and other media. Paige identifies as Black, White, and Salish (from the Confederated Salish and Kootenai Tribes).
Artist: Monyee Chau
Monyee Chau (they/them) is an artist with a BFA from Cornish College of the Arts, based in Seattle, WA. Monyee explores a journey of personal and collective healing through means of labor, through intersectional lenses of being queer and Taiwanese/Chinese. They believe in the power of storytelling and breaking bread as a means of community building for the path to justice and liberation.
Artist: Ari Glass
Ari Glass is a painter and designer born and raised in Seattle. His paintings reveal personal narratives inspired by historical and fictional concepts of kings, queens, and kingdoms, and deal with concepts such as sovereignty and independence.
Artist: Erin Wallace
First-generation Chinese American illustrator and artist living in Seattle, WA. She utilizes her printmaking background to inform texture and layers; her colorful work balances simplicity and depth while remaining fun and approachable.
Artist: Simson Chantha
Simson is a graphic artist living in Seattle, WA. In his conversations with our team, he’s discussed the intersection of gender, sport, sexuality, age, and place. His work focuses on allyship, togetherness, and belonging to the LGBTQIA+ community.
Artist: Angelina Villalobos
Angelina Villalobos is an art activist living in Seattle, WA. Her work strives to engage the viewer to be a part of their environment through observation, critique, and participation—art centers around what it means to grow in difficult spaces and uses natural landscape as inspiration.
Artist: Fox Spears
The jersey design, created by artist Fox Spears, draws inspiration from traditional Karuk basketry patterns and one of his earlier monotype prints. The prominent square motifs were left intentionally, serving as a visual connection to the square forms found in traditional Karuk drums, honoring both cultural artistry and rhythm within the design.
Artist: RC Johnson
Artist RC Johnson’s jersey design incorporates powerful symbolism and vibrant color to honor Black History Month. Featuring a bold palette of red, green, black, and yellow: colors traditionally associated with African heritage and liberation. The design serves as a visual tribute to Black culture and history. Central to the artwork is the Sankofa bird, a West African symbol meaning "to retrieve," which emphasizes the importance of looking back to reclaim and honor one's roots. Johnson also weaves in elements from the Seattle Kraken’s anchor logo, blending cultural heritage with team identity to create a unified, meaningful design that celebrates both history and community.
Artist: Stevie Shao
Artist Stevie Shao’s design on the hockey jersey features plants as a powerful symbol of the ongoing cycle of learning and growth. Just as a seed requires water and care to sprout and thrive, the design reflects the journey of personal and collective development. Central to this theme is the role of women, who are portrayed as constant forces of progress. Demonstrating nurturing, learning, and striving for the betterment of all. Through these intertwined ideas of growth and care, the artwork becomes a visual celebration of resilience, transformation, and the nurturing spirit that drives change.
Artist: Glynn Rosenberg
Artist Glynn Rosenberg’s design for the hockey jersey carries a powerful message: all people, regardless of sexual orientation or gender identity, belong in the game of hockey. By incorporating flowers into the artwork, Rosenberg intentionally disrupts traditional gender norms, blending softness and femininity with the strength and intensity of the sport. This juxtaposition highlights both the beauty and resilience found in hockey, while celebrating inclusivity and the diversity of those who play and love the game.
Artist: Shogo Ota
For Shogo Ota, sustainability takes center stage in his jersey design. The crest serves as a bold emblem of the organization’s commitment to environmental responsibility, grounding the design in purpose. On the shoulders, Ota adds a clever twist: a secondary mark placed within the shape of a recycling logo, but with hockey sticks in place of arrows. This inventive detail connects the sport to the broader movement for sustainability, reminding players and fans alike that hockey’s future depends on caring for the world beyond the rink.